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Curation Rationale

Why We Curate Instead of Letting an Algorithm Decide

Alan More, Founder of Videojam · May 29, 2026 · 3 min read

Recommendation engines are extraordinary at keeping you watching and terrible at showing you something that matters. A case for the old, human, unscalable art of curation.

The algorithm is very good at its job. That's the problem.

A modern recommendation engine can predict, with unsettling accuracy, what will keep you watching for another four minutes. It knows the shape of your attention better than you do. And if the goal is to maximize time-on-platform, it is close to unbeatable. But "what will keep you watching" and "what's worth watching" are two completely different questions, and the algorithm only answers the first one.

This is the gap curation exists to fill.

What recommendation actually optimizes for

A recommendation system doesn't have taste. It has a target — usually engagement — and it works backward from your past behavior to find the next thing most likely to hit it. The result is a feedback loop: it shows you more of what you already watched, which trains it to show you more of that, which narrows the world until you're circling the same small territory at higher and higher resolution.

It feels like discovery. It's actually the opposite — a slow contraction. The algorithm rarely shows you the thing that would surprise you, change your mind, or introduce you to a scene you didn't know existed, because surprise is risky and risk hurts the engagement number. Safe and familiar always win.

What a human does differently

Curation is the deliberate, unscalable act of one person who knows the territory saying: this one. Pay attention to this. It's not optimized for your retention. It's optimized for being right.

A curator can champion something with five hundred views because it's genuinely extraordinary, even though no engagement model would ever surface it. A curator can put two videos next to each other not because they're similar but because the contrast teaches you something. A curator can be wrong, and have a point of view, and take a risk — all the things an engagement engine is structurally incapable of.

The whole value is that a person stands behind the choice. When you trust a curator, you're not trusting a prediction. You're trusting a sensibility.

Why this matters more for music video than almost anything

Music video is exactly the kind of medium where the algorithm fails worst. The most rewarding videos are often the strangest, the least commercial, the hardest to categorize — the ones a system trained on watch-time will quietly bury because they don't fit a pattern. The very qualities that make a video special are the qualities that make it algorithmically invisible.

So a platform that wants to surface the best music videos, rather than the most optimized ones, has to make a choice. It can hand the keys to an engagement model and watch the same handful of safe videos rise forever. Or it can do the slower thing, and let people who actually care point at what matters.

We chose the slower thing. Not because algorithms are evil — they're just tools doing exactly what they were built to do. We chose it because the thing we care about, the genuinely great video that nobody's watching yet, is precisely the thing no algorithm will ever hand you.

Someone has to. So we do.

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About the author

Alan More

Founder of Videojam

Alan More is the founder of Videojam, the embed-only music video discovery platform. He writes about the engineering behind the product — provenance, moderation, and the systems that decide what surfaces.